“It was a miracle that I made it, after the lawyer, who appeared to be driving drunk and driving like a maniac, hit me so hard I flew twenty-eight feet with a severed leg. I landed on my nose. My name is… I’m not sure. I mean, I don’t know. I reside in the physical form of a woman named, Venus. There was an accident. A green Mazda and an eighteen-year-old on a ten-speed bike. It was a miracle that I became a human being again. And it took more than all the king’s horses to do so. Mama and Papa didn’t know what to do, so they decided to do what they knew best. The show must go on, they said, and left for a tour of America.”
This is how the Finding Venus album begins, accompanied by a tango of joyously gorgeous cello and grand piano. Adding deeply expressed vocals that range from lonely despair, longing and fury to humorous introspection and sensual awakening, we are taken on a quest to find identity, love and meaning. A quest that takes us all the way into the Nevada desert, in serial killer territory, in a desperate attempt to find the one person who made sense to us. A quest that forces us to face our deepest fears, admit our deepest longings and let go of what we love the most, so that we can, in turn, return to and realize who we really are.
“This is art. High art. It is also a compassionate, realistic study of what unsolved mysteries can do to a human life. How do we let go? How do we say goodbye when we can’t? How do we move on? How do we smile again? We find Venus.”
As many of you already know, Finding Venus is my way of sharing my own incredible, but true, story of hope and transformation. It was, indeed, a miracle that I made it. I mean, recovering from the horrible accident that crushed my body and sent my brain into the land of deep confusion and indescribable pain was one thing. Making sense of the scattered pieces of memory that gradually was presented to me, was another story.
To be honest, I am still trying to make sense of it. And, in this making-sense-of-it process, I am eternally grateful for the opportunity to express what I have experienced in such a deliciously musical format and with such incredible musicians and actors. Thank you, thank you, thank you, for being part of this journey, as listener and co-conspirator, as mentor, supporter, friend, ally and fan! I could not have done any of this without you. It is my deepest prayer and desire that this story will help and inspire those who are struggling with issues related to trauma, identity, recovery and the loss of a loved one.
The Jazz-, blues-, pop- and cabaret arrangements on this album are brilliantly executed by bass players Abraham Laboriel and Jennifer Leitham, drummers Mark Schulman and Chris Wabich, pianist Tom Zink, guitarist Julian Coryell and cellists Irina Chirkova, Carter Dewberry and Elisa Herbig. The voices of Mama, Papa and Stefanie are beautifully expressed by J’Nae Fincannon, Gary Imhoff and Aina O’Kane. Katisse Buckingham flavours the album throughout with his poignant, sultry, lavish and energetic sax, flute, beat box and synth programming. And phenomenal sound engineers Tom Zink, Bob Rice, Leslie Chew, Tony Shogren and Jan Erik Kongshaug makes us all sound awesome!
The Finding Venus Tour 2019 is happening in Sweden, Norway, UK, USA and Canada, starting next week!!! Amazing cellist, Ruti Celli, is joining us on the first leg of the tour and others will join as we proceed. Concert dates will be posted as they are confirmed at www.carolinewaters.com/calendar
If you like what you hear, purchase the album, buy tickets for our shows and share with others you think might resonate! Also let us know where you want us to perform next. Click here to make contact or to join the VIP email list.
Love Always, Caroline