Category Archives: Musical Theatre

Back On the Inside

I’m back in Los Angeles, after an intense few months in Sweden. I gave only three performances this time around, all well received and the last two sold out. One of them in concert with Norwegian country-artist extraordinaire, Tove Bøygard. In-between concerts, I took time off to get knee surgery, physical therapy and go on a week vacation to the Canary Islands to recover.

Looking at it from a neutral perspective, I feel a sense of accomplishment and satisfaction. Being on my way to recovering completely and getting in good shape for the upcoming Finding Venus album-, musical- and book release feels really good. The possibilities that lie ahead as a result of what I have accomplished so far are numerous and exciting. Producers, directors, film makers and bookers from both Europe and the US are showing a real interest in the book, musical and album. An expanded journey of traveling and broadening the horizons for Finding Venus lies afoot.

Yet, my mind is beating up on me for not having everything figured out already for the upcoming release. “Show me the money,” it says. “You should have had it all strategized, financed and in motion by now.” This is of course my workaholism at work, telling me that no matter what I do, it’s never good enough or fast enough or enough, period.

So, I try to sit back and just breathe, in the California sun, and remind myself that just for today, it’s enough just to be. Just for today it’s enough to appreciate where I’m at, how far I have come and to be excited for the journey that lies ahead. I tell myself that it’s okay to focus on getting fully back in shape before attempting another quantum leap. And it’s okay to take the time it takes to organically arrive at the most delicious solution to my dream building.

I realize that in and through all of this, getting back on the inside, looking at the world around me from the power that resides within me, is the most important course of action I can take. As I realize this, my shoulders drop and I am able to fully exhale. The moment I allow myself to just be, my mind opens wide to attract exactly who and what I need to proceed. Funny how that works 😉

Back On the Inside is on my Venus Envy album, which I co-produced with Greg Matheson and Katisse Buckingham. You can check it out by clicking here.

A Call to Action for you, my dear friends and fans:

Many of you are eagerly awaiting the Finding Venus album release and tour schedule. In that process I’d love to get your feedback!

– Where would you like to see me perform and in what setting?

– Do you have a favorite venue that you can recommend?

– Do you know producers and directors in your area that you’d like for me to get in touch with?

– Would it be of value to you if I offer Vocal Freedom seminars in conjunction with the Finding Venus performances?

Let me know your thoughts and ideas. I have a feeling it’s going to take the whole village to get this ball rolling as fabulously as I am feeling it.

Musically Yours,
Caroline

From Personal to Global Rejuvenation

These past few months have passed me by like there’s no tomorrow. I’m in a daze from high speed living. It started with a decision to let go of the old and embrace the new and unknown. In the process that followed, I sold and gave away roughly eighty percent of my belongings. I also minimized my monthly expenses by moving in with a friend.

As a result, a tremendous amount of energy has been released to create a more vibrant bi-continental existence and I am receiving gifts beyond my wildest imagination. The Norwegian mini-tour of Finding Venus – The Musical, received rave reviews, I am in the process of expanding my musical territory in Sweden and a fall tour is brewing in California with amazing cellist, Elisa Herbig. (All shows will be posted at www.carolinewaters.com/shows.php)
Elisa Herbig and Caroline Waters in ConcertCurrent broadcasts are starkly contrasting the lightness and ease of my being. Angry, wounded, unforgiving people seem to be dominating the scene with their post traumatic stress behaviors and thirst for vengeance. Personally, I don’t think it works to overcome darkness with more darkness. The”eye for an eye” method will only serve to make us all blind.

Wouldn’t it be wonderful if we all could lay down our swords, forgive ourselves and each other, let go of our need to dominate, possess and control? Wouldn’t it be wonderful if we could meet those of us who suffer from post traumatic stress with patience, understanding, love and nurture, regardless of race, religion, sex, skin color or financial status?
Make Love Not War
Imagine a world where fellowship is more highly regarded than ownership, where respect for Mother Nature triumphs desire for money and where music and art is regarded as more important than the military. I am committed to making it happen. Who’s with me?

Finding Venus in Norwegian

I am working hard every day now to get ready for and promote Jakten på Venus, which is the Norwegian version of the musical thriller, Finding Venus.

Jakten på Venus av og med Caroline Waters

Finding Venus
tells part of my life story, starting with highlights from my tomboy child star years, growing up in performance with my “Superstar Papa”, Per Asplin, and how the bicycle accident that sent me flying 28 feet through the air with a severed left leg served to bring my consciousness and being to a whole new level of existence.

I was 18. I landed on my nose. My lungs collapsed and filled up with water. Everything shut down. I went into the tunnel. I experienced the incredible beauty of the Light that is all knowing, all loving and connects us all in perfect harmony. Then two Light-Being-looking dudes stopped me and told me to return to the broken mess that used to be my body. They said I had a job to do. I refused, but to no avail.

It took four years to recover. Four roller coaster years of pain management, amnesia, post traumatic stress, pill addiction and a relentless search for identity, love and a sense of purpose. Throughout this time period, it was the music and desire to express myself that helped me win the battle agains feeling powerless and suicidal. That, and an angel named Esther.

Finding Venus also tells the humorous story of how I came out of the closet to an “ultra conservative family of supreme court lawyers and royal blood”. And it reveals how my desperate search for Stefanie Stroh, the only person I was able to remember after the accident, who vanished without a trace in the same area a notorious serial killer was operating, led to a surprising discovery.

If you happen to be in Oslo, Norway, on December 12-19, please join us at Elsker! If you happen to have peeps in Scandinavia who might enjoy and appreciate this musical adventure, please give them a heads up!

Jakten på Venus is starring:
Caroline Waters as Venus and on piano, guitar and percussion
Svein Fuglestad as Papa and Frank and Missionary Man
Odille Blerh as Mama and Esther &
Elisa Herbig on cello

Tickets and more at www.carolinewaters.com/shows.php

Scoring Greta Garbo

It has been a remarkable process, creating the music and sound design for Swedish actress Ottiliana Rolandsson’s one-woman show “I Was Greta Garbo”, which only yesterday finished its first run at The Zephyr Theatre in Hollywood.

I Was Greta Garbo

Since I didn’t have the luxury of being there in person, perhaps the greatest challenge was going through every process via DropBox. But in spite of missing the face to face interaction with my co-conspirators, I have found it very cool to discover more of what is possible to accomplish via the Internet.

Capturing the essence of an enigma such as Garbo was indeed a tantalizing task. She was so brilliant, so multi-faceted, so powerful, so tender and so beautiful in her being and performance that anything I added would have to be simple enough to underscore the storyline, yet complex enough, deep enough and vulnerable enough to match her energy.

I decided that for me, personally, the essence of Garbo was seductive, sensual and deeply committed to the moment, but not a moment longer. Musically translated, I decided to create pieces of music that bore promise of a deeper commitment, but shamelessly and sometimes surprisingly would leave the listener wanting more. Of course, this needed to be done with enough grace and poise and subtlety to avoid arousing suspicion.

It is only in the scene of her death, or rather, in the scene where she realizes she is dead, that a release of emotion and a completion of form are reached in musical terms. And even here, I have consciously placed an eerie reminder of the stirring she left in the hearts of all who had the pleasure of witnessing her, on screen or in the flesh.

“I Was Greta Garbo”, starring Ottiliana Rolandsson, will be playing in Stockholm this summer, courtesy of The Garbo Society of Sweden. And I plan to be doing some live performances in conjunction with it. Feel free to stop by if you’re in the vicinity or are moved to make the trip.

Stay tuned at www.carolinewaters.com/shows.php or feel free to sign up on my email list for VIP notifications. All CDs are available at my online store.

Musically Yours,
Caroline

Finding Venus in Studio City

First of all, a great big THANK YOU to everyone who helped make last month’s performance of Finding Venus a smash hit at the box office!!! I am so incredibly grateful for the amazing cast and crew and audience who co-created such a beautiful evening of music and love and consciousness expansion!

Because of this success as well as numerous requests, we have added a performance of Finding Venus at Mare’ka in Studio City on Saturday, March 30th! For tickets and more info, please go to www.carolinewaters.com/shows.php

We received a most beautiful review by A.J. Llewellyn: “It was a mighty wind the Goddess Venus ushered in that frigid evening as one of her daughters shed tears and heart blood to the rapt crowd as she shared the story of her life…” Click here to read more.

And I am eternally grateful to Ira Cord for his beautiful video. Here’s a little snippet from the performance. I am singing “And I Pretend” while Katisse Buckingham plays flute and beatbox, Jennifer Richardson sings backup and amazing actors Ottiliana Rolandsson, Marie Bergenholtz and Katia Moraes embody the emotion: